FFDP had initially recorded Shepherd's 1998 hit for its most recent album, last year's And Justice For None. The new version -- whose proceeds go to the Gary Sinise Foundation benefitting first responders -- came together after Shepherd gave FFDP's cover a thumbs-up and the group then broached the idea of doing another version with Shepherd playing guitar and singing. Gilbert happened to be in the same studio working when he caught wind of the project, while May was added via mutual friends. "When (May's) solo came in everyone just stopped and went, 'That's Brian May!'" Bathory says. "He has such a distinctive tone. You know it can only be him."
Shepherd, meanwhile, is flattered to have yet another rendition of "Blue on Black" in the world. "My goal as a writer is to write songs that stand the test of time and have many different lives," he explains. "We had a great run with that song. It was a massive hit for us. That it can still be a massive force to be reckoned with 20 years later is exactly what you want as a songwriter."
Bathory says FFDP originally chose to record "Blue on Black" at the behest of frontman Ivan Moody, as one of his go-to karaoke songs. "The song is not typical; It's a kind of song that crawls under your skin and get stuck in your head," Bathory says. "There are songs you hear and go, 'Oh, that's a hit,' and there are the sneaky ones, and this is one of the sneaky ones."
The charity element of the single, meanwhile, is part of FFDP's long-standing commitment to military and first responders, who are also saluted in the accompanying video. "It's a pretty heavy video; we’re trying to portray their life," Bathory says. "Compared to them we're just citizens. We're living our lives. These fire fighters and soldiers and first responders are out there risking theirs. It's close to our heart. So with different artists from different genres we can also bring a unified awareness to this cause."
FFDP -- including new drummer Charlie Engen, after an amicable split with Jeremy Spencer -- is currently off the road until a short July run of U.S. dates, but the group isn't entirely resting. New material is in motion, according to Bathory, who predicts it will blend the dark, heavy attack of FFDP's early albums with some more contemporary touches. "We have various ideas, song and bits and pieces around," the guitarist says. "But we're talking about maybe bringing in elements, bringing in sounds that are sort of new and unusual, so kind of making it an experimental album. But if we bring in some electronics, we're not going to make it sound nicer and poppier; It'll be more like, 'How do we use electronics to make the music even heavier?' So there's two possible directions we're talking about, but everybody's mindset is into, 'Let's make something more robust' and figuring out what that's going to be."